“As you can see, the Egyptian really was a magical place,” Stuber said at the conclusion of Wall’s film, “Temple of Film: 100 Years of the Egyptian Theatre.” Now it feels the same, only it looks and sounds better than ever before. “Charlie Chaplin, Audrey Hepburn, and Marlon Brando sat in the seats where you’re sitting.”Įven before the renovation, watching a movie at the Egyptian could feel like time-traveling back to the era of silent films, the early talkies, the Golden Age of Hollywood, or the films of one’s youth, depending on which film was screening that night. “One hundred years ago in the silent film era, it was home to the first Hollywood premiere, the first red carpet,” he said. “Welcome back to the Egyptian Theatre,” Sarandos said at the start of the preview, which also featured as speakers Nicita, Scott Stuber, head of Netflix Films, and Angus Wall, the director of a new Netflix short film on the history of the Egyptian. The American Cinematheque, now free of the expense of maintaining the theater, will program its eclectic mix of classic, art, and rare and restored films – often accompanied by in-person talks and Q-and-As – on the weekends.
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